食環署的立法建議還包括要求寵物犬主人以不超過1.5米長的「狗帶」控制狗隻，被法庭判定的「已知危險狗隻」和法定「格鬥狗隻」不得進入餐廳，狗隻不得上餐桌，須確保明確區分人狗餐具，也不得提供現場烹調的狗隻食物，但可提供預先包裝狗食。賴嘉敏認為，這些都是基於公共衛生考慮出發，可以接受。
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1975年上映的《镜子》是塔可夫斯基极具个人色彩的作品，也是《殉道学》中反复提及的创作执念。这部影片几乎是他的自传式表达。他邀请母亲亲自出演，让诗人父亲阿尔谢尼的诗歌作为画外音贯穿全片，整个筹备过程是他对童年时光的一次深情探访。为了还原记忆中的场景，塔可夫斯基和摄制组做了无数近乎偏执的努力：根据老照片将废墟精准还原，在40年前的原址“复活”被时光摧毁的那栋房子；为了重现童年时如白雪覆盖般开满荞麦花的田野，他们在早已改种苜蓿和燕麦的集体农庄重新播撒下荞麦种子。
The British weren’t alone in their hunt. Chileans, New Zealanders, and South Africans, among others, were also scrambling to source this strategic substance. A few months after the Pearl Harbor attack, the U.S. War Production Board restricted American civilian use of agar in jellies, desserts, and laxatives so that the military could source a larger supply; it considered agar a “critical war material” alongside copper, nickel, and rubber.1 Only Nazi Germany could rest easy, relying on stocks from its ally Japan, where agar seaweed grew in abundance, shipped through the Indian Ocean by submarine.2